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Released March 26, 2013 Recorded August 2012 – January 2013, Length 39: 48 Self-released Will Pugh, Joseph Pepper chronology (2011) Collider (2013) Collider is the fourth studio album by American band. In 2008 Cartel left to sign with Wind-Up. Following this the group released (2009). Bassist Jeff Lett left to focus on school, and the band parted ways with Wind-Up. In October 2011 the group self-released. The band called the idea of self-releasing music as 'experimental'.
Following a tour with in March and April 2012 the group started writing new material. In August, the band started recording, and they finished in January 2013. The album was produced by vocalist Will Pugh and guitarist Joseph Pepper. After making a few songs available for streaming, the album was self-released on March 26, 2013.
It charted at number 141 on the. To support the album, the band toured the U.S. And the UK alongside,.
Contents. Background In July 2008 Cartel left and signed with Wind-Up.
While on Wind-Up the group released (2009). In April 2011 it was announced that bassist Jeff Lett left the band to finish school. Nic Hudson initially took over Lett's position. Shortly afterwards, the group left Wind-Up. In August 2011 the band revealed that they had left Wind-Up. The band realized that they needed to release new music or else they 'wouldn't be validating ourselves', according to vocalist Will Pugh. The band 'experimented' with the concept of self-releasing their music; this resulted in the EP, which was released in October.
The recording process for which was not that different to their previous efforts, besides the fact Hudson was playing bass. The band saw the release of an EP as suitable due to the momentum of continuing without a record label. Pugh mentioned that they didn't have time to recording an album's worth of material.
The group planned to have another EP out in March/April time. However, when the band realized they were going on tour, they decided to release a new song, 'Disconnect', to help promote the tour. Composition and recording. When juxtaposed forces collide in the arena of physics many things can happen: destruction, creation, and metamorphosis. We feel. all of those things.
shaped the career arc of this band. They have had a direct impact on the way we create the music. – Cartel, discussing the album's title, 2013 Cartel toured alongside in March and April 2012. In a March 2012 interview, Pugh mentioned that the band were going to write new material after the tour was over.
Pugh revealed that the band were at the beginning of the writing process. Pugh didn't want the material to be 'a bunch of girl songs'. From a lyrical point of view, Pugh stated that the lyrics would be written from a different perspective due to him being married. The album's title is a summary of events that shaped the band's career. Cartel viewed the album as a 'culmination of 3 years worth of life, love, and reflection'. Cartel was hoping to record this new material after they had toured the UK and have it released 'by the end of the summer'. On August 12, the band announced they had finished pre-production and were going to start recording a new album on August 20.
The band recorded at Kenneth Mount and Zack Odom's studio while the pair were away on vacation. Pugh took the role of producer with guitarist Joseph Pepper co-producing. Pugh also engineered the album. Cartel took a break from recording to support on their tour of the U.S. On November 20, it was announced that Pugh was recording vocals. A week later, it was announced that Mount and Odom were mixing the album.
In early January 2013 the album was being mastered. On January 15, the band revealed they had finished recording and that the artwork and track listing would be revealed soon. Release On January 19, 2013 'Uninspired' was released as a single. Several songs were made available for streaming prior to the release of the album: 'Mosaic' (February 19), 'First Thing's First' (March 12), and 'Disconnect' (March 20) Initially planned for a fall/winter release, Collider was self-released by the band on March 26. The band had brought the album to a handful of labels that turned it down due to them not 'having anything to with it.'
The album was available for streaming the day before on. In the UK and Europe, the album was available with a bonus track, an acoustic version of 'Thin Air'. Pugh revealed that the album had 'a very solid first week', especially since 'this entire project was being helmed by 5 people.' The group paid a promotion/publicity to take control of duties a record label would typically perform. Guitarist Joseph Pepper was unsure how to promote the album besides about it. He named informing people about the album 'the biggest challenge'. The band knew that the album was not going to have retail distribution.
On April 25, a lyric video was released for 'Uninspired'. The band supported on their Sticks and Stones anniversary tour in June. In the same month, Cartel toured with. Cartel toured the UK with support act in September and October. The band supported on the Glamour Kills Tour in October and November. Reception Reviewing the album for, Hannah Pierangelo said upon hearing it for the first time, it came across as 'slightly bland', due to only half of the material 'really carrying any punch.' Pierangelo noted that it was missing 'the dynamic Cartel have proven they are capable of in previous albums.'
She counted that after several listens, the songs 'grow on you' and show off more 'substance beneath the surface'. Overall, she said the band achieved 'to make an impact once again'. Collider received a positive reaction from Cartel's fans. It charted at number 141 on the, number 28 on the chart, and number 40 on the chart. 'Uninspired' was included in ' 'Mid-Year Report 2013 – Best Songs' list. Track listing.
'Second Chances' – 3:07. 'Take Me with You' – 3:22. 'First Things First' – 4:16. 'Best Intentions' – 4:14. 'Thin Air' – 3:37. 'Uninspired' – 3:13.
'Sympathy' – 3:46. 'Mosaic' – 3:22. 'Disconnect' – 3:15. 'Collider' – 3:37. 'A Thousand Suns' – 3:59 Bonus tracks UK/Europe bonus track No. Title Length 12.
'Thin Air' (acoustic) 3:40 Vinyl bonus track No. Title Length 12.
'Sympathy' (acoustic) 3:46 Personnel. Collar, Matt. From the original on June 21, 2015. Retrieved June 21, 2015. ^ Pierangelo, Hannah (April 8, 2013). From the original on June 21, 2015.
Retrieved June 21, 2015. Pascarella, Tony (July 8, 2008).
Retrieved June 21, 2015. ^ Loftus, Johnny.
From the original on June 21, 2015. Retrieved June 21, 2015. Huntington, Kyle (April 7, 2011). Retrieved June 21, 2015. ^ Vogel, Matt (October 30, 2011). From the original on June 21, 2015. Retrieved June 21, 2015.
Gardner, Ryan. Retrieved June 21, 2015. Rizzo, Sean (August 31, 2011). Retrieved June 21, 2015. ^ (October 4, 2012). The Gunz Show (Interview).
For discussion of the EP: 13:03. From the original on June 21, 2015. Retrieved 2015-06-22. ^ Grace, Eleanor (January 21, 2013). From the original on June 21, 2015. Retrieved June 21, 2015. Gardner, Ryan (September 14, 2011).
Retrieved June 21, 2015. ^ (February 27, 2012). The Gunz Show (Interview). For discussion of another EP/new song: 4:52; for touring in between recording: 11:08. From the original on June 21, 2015. Retrieved 2015-06-22.
Nassiff, Thomas (January 30, 2012). Retrieved June 21, 2015.
^ Denning, Jake (March 28, 2012). Retrieved June 21, 2015. Bird, Michele (August 17, 2012). Alternative Press. From the original on June 21, 2015. Retrieved June 21, 2015. Ilvonen, Keagan (August 3, 2012).
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From the original on June 21, 2015. Retrieved June 21, 2015. Tate, Jason (November 20, 2012). Retrieved June 21, 2015. Ilvonen, Keagan (November 28, 2012). Retrieved June 21, 2015.
Chroma (Booklet). Cartel (Booklet). Tate, Jason (January 9, 2013). Retrieved June 21, 2015. Common, Tyler (January 15, 2013). Alternative Press.
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From the original on March 4, 2016. Retrieved June 21, 2015. Whitt, Cassie (February 6, 2013). Alternative Press. From the original on June 21, 2015. Retrieved June 21, 2015.
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Alternative Press. From the original on June 21, 2015. Retrieved June 21, 2015. Whitt, Cassie (March 12, 2013). Alternative Press.
From the original on June 21, 2015. Retrieved June 21, 2015. Bird, Michele (March 20, 2013). Alternative Press. From the original on June 21, 2015.
Retrieved June 21, 2015. Ilvonen, Keagan (August 28, 2012). Retrieved June 21, 2015. McGuire, Colin (May 25, 2015). Alternative Press. From the original on July 26, 2015.
Retrieved July 27, 2015. Law, Tarynn (March 25, 2013). From the original on June 21, 2015. Retrieved June 21, 2015. Wagner, Christian (April 3, 2013). Retrieved June 21, 2015. Retrieved June 21, 2015.
Whitt, Cassie (April 25, 2013). Alternative Press. From the original on June 21, 2015.
Retrieved June 21, 2015. Ilvonen, Keagan (March 21, 2013). Retrieved June 21, 2015. Kraus, Brian (May 5, 2013). Alternative Press. From the original on June 21, 2015.
Retrieved June 21, 2015. Campbell, Rachel (May 28, 2013). Alternative Press. From the original on June 21, 2015. Retrieved June 21, 2015. Gallo, Alexa (August 5, 2013).
From the original on June 21, 2015. Retrieved June 21, 2015. From the original on June 21, 2015. Retrieved June 21, 2015. Kraus, Brian (June 26, 2013). Alternative Press. From the original on June 21, 2015.
Retrieved June 21, 2015. External links. (deluxe edition) at (streamed copy where licensed).
A new video detailing Live At The Hollywood Bowl 9/14/68, included in the Deluxe Edition box set of Electric Ladyland, the final studio album from The Jimi Hendrix Experience, can be seen below: The title is available as either a 3CD/1 Blu-ray set or a 6LP/1 Blu-ray set. Both packages include the original double album, now newly remastered by Bernie Grundman from the original analog tapes. For the LP set, Grundman prepared an all analog direct to disc vinyl transfer of the album, preserving the authenticity. Also included is Electric Ladyland: The Early Takes, which presents demos and studio outtakes from this period in Hendrix’s career, plus a new 5.1 surround sound mix of the entire original album by Hendrix’s original engineer Eddie Kramer. This marks the first and only time this has been done with a Hendrix studio album, and gives listeners the original stereo mixes in uncompressed 24 bit/96 kz high resolution audio. Spread across 3 CDs and 1 Blu-ray the set includes: - CD1: the original album, now newly remastered by Bernie Grundman from the original analog tapes.
CD2: Electric Ladyland: The Early Takes, which presents 20 never before heard demos and studio outtakes from this period in Hendrix’s career. CD3: Jimi Hendrix Experience: Live At The Hollywood Bowl 9/14/68, part of Experience Hendrix’s Dagger Records official bootleg series. The never before released recording captures the band and the mounting excitement that took place just weeks before the release of Electric Ladyland. Blu-Ray: includes the acclaimed full-length documentary At Last The Beginning: The Making of Electric Ladylandplus a new 5.1 surround sound mix of the entire original album by Hendrix’s original engineer Eddie Kramer plus the original stereo mixes in uncompressed 24 bit/96 kz high resolution audio. Electric Ladyland Deluxe Edition includes a full color, 48-page book containing Jimi’s handwritten lyrics, poem and instructions to his record label, as well as never before published photos from the recording sessions that were shot by Eddie Kramer himself.
All contained in a luxe casemade book with new cover art which is true to Hendrix’s original vision of the album’s cover: a Linda (McCartney) Eastman photograph of the band and children at the statue of Alice In Wonderland in New York’s Central Park.